It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. Joan had no intention of being lured into the Birmingham parlour. She thought she could see in it a scheme for her gradual entanglement. Besides, she was highly displeased. She had intended asking her father to come to Brighton with her. As a matter of fact, she had forgotten all about Christmas; and the idea only came into her head while explaining to Arthur how his impulsiveness had interfered with it. Arthur, crestfallen, suggested telegrams. It would be quite easy to alter everything; and of course her father would rather be with her, wherever it was. But it seemed it was too late. She ought to have been consulted. A sudden sense of proprietorship in her father came to her assistance and added pathos to her indignation. Of course, now, she would have to spend Christmas alone. She was far too busy to think of Birmingham. She could have managed Brighton. Argument founded on the length of journey to Birmingham as compared with the journey to Brighton she refused to be drawn into. Her feelings had been too deeply wounded to permit of descent into detail.!

With an effort that seemed to turn her into stone, she regained command over herself. The City of her Dreams! The mingled voices of the crowd shaped itself into a mocking laugh.

In the spring, Joan, at Mrs. Denton’s request, undertook a mission. It was to go to Paris. Mrs. Denton had meant to go herself, but was laid up with sciatica; and the matter, she considered, would not brook of any delay. “You think of God as of a great King,” he said, “a Ruler who orders all things: who could change all things in the twinkling of an eye. You see the cruelty and the wrong around you. And you say to yourselves: ‘He has ordered it. If He would, He could have willed it differently.’ So that in your hearts you are angry with Him. How could it be otherwise? What father, loving his children, would see them suffer wrong, when by stretching out a hand he could protect them: turn their tears to gladness? What father would see his children doing evil to one another and not check them: would see them following ways leading to their destruction, and not pluck them back? If God has ordered all things, why has He created evil, making His creatures weak and sinful? Does a father lay snares for his children: leading them into temptation: delivering them unto evil?” She introduced her. Miss Tolley bowed; and allowed herself to be drawn away by a lank-haired young man who had likewise been waiting for an opening. He represented the Uplift Film Association of Chicago, and was wishful to know if Miss Tolley would consent to altering the last chapter and so providing “Running Waters” with a happy ending. He pointed out the hopelessness of it in its present form, for film purposes.